Inside the Secret Mounds Of Pre-Historic America: Laurence Fisbourne..
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Narrarated by Purple Sync Master Revolutionary Multi-Colored Pill Shaman, as Morpheus his tie is purple like the purples buzzing around Sandman's Morpheus comic character. In zany 90's cult hit Pee Wee's Playhouse he is The Purple Cowboy, lest one forget his award winning performances in The Color Purple, the play and the film adaptation as well. Only hints of lavender accessorize his character in Predators. One of a few mythological creatures I've met in person in waking/walking reality. He liked my ideas but was being overwhelmed by a crowded bar and told mehis on would really like my books and such, though I never met the young ONE, maybe one day I'll score an actual interview. He was sensitive to photos at all and begged people politely to chill, so I only wished to have an enjoyable two way conversation and secret him out the building as I became his default security.
Peter Levenda's Sinister Forces, as well as John Keel and Andy Colvin's work on Mothman, and David Mcgowan's Intelligence Agency, Cults, Joshua Tree and Hollywood or musician 's related to these circles in one way or another; all reference the ancient north American serpent mounds and their relationship to the birthplace of famous American serial killers, 60's counterculture idols, Intelligence Operations and their proximity to these ancient mounds. This theme is also explored in True Detective, where Carcosa Louisiana is the home base of a neo-Nazi cult seeking Lovecraftian Intelligences vested in that ancient ritual space. The characters pursue these men and find a "Black Sun" a theme predominant in WW2 SS arcane organizations and philosophy, and even an entire organization flanking the Vril and Thule, The Black Sun evolved from the antigravity geometry present in the swastika symbol, though the swastika itself is honestly drowned in multiple worldwide definitions and or uses against evil and various symbols the image gained over centuries of both public and lost history.
The Black Goo How I got to this discussion on this particular day in faceland: That’s where the Lucifer’s Tech theory really goes. That Roswell was a “time capsule” with tools from the future we could start developing earlier before we blow ourselves up. It’s ourselves from future Mars, sickly and decrepit, having atrophied our natural selves and relying on tech trying to teach ourselves how to not destroy our home (again). Therefore martians are future humans trying desperately to use genetic experiments and the process of spoon feeding tech to save ourselves. That would explain why the military helps this process or MILABs.” This is why I make such a big deal about both MILABs and the black oil. The black oil is one of the ways we symbolize an artificial yet organic, seemingly often alien substance that possesses us like our technology to move us to a given future. Attempts at super soldiers, hybrid beings, psychic soldiers, and the rest are attempts at that trans-humanist end ...
I felt this article important enough to copy here to my blog, from unlimitedhangout.com On the morning of 11 September 2001, Klaus Schwab sat having breakfast in the Park East Synagogue in New York City with Rabbi Arthur Schneier, former Vice President for the World Jewish Congress and close associate of the Bronfman and Lauder families . Together, the two men watched one of the most impactful events of the next twenty years unfold as planes struck the World Trade Center buildings. Now, two decades on, Klaus Schwab again sits in a front row seat of yet another generation-defining moment in modern human history. Always seeming to have a front row seat when tragedy approaches, Schwab’s proximity to world-altering events likely owes to his being one of the most well-connected men on Earth. As the driving force behind the World Economic Forum, “the international organization for public-private cooperation,” Schwab has courted heads of state, leading business e...
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